Anna Vilenska is a musicologist, lecturer, and researcher of contemporary music. She has reinvented the traditional format of music lectures, making them visual, accessible, emotional, and useful for the audience. In October, Vilenska will give a series of lectures in major European cities. The program spans classical music and jazz, avant-garde and background music, the role of women in music history, and new horizons opened by artificial intelligence.
The lectures will take place in the following cities: Vienna, Zurich, Berlin, Munich, Düsseldorf, Amsterdam.
Vienna — “How Music Became Classical”
A lecture on why “classical” became high culture. How the term “classical music” emerged, why dedicated concert halls were built, and where the reverent attitude toward Beethoven and other composers came from. A discussion on whether we should overcome the “glass partition” between the listener and culture.
Zurich — “AI and Music: Evolution from 2014 to 2025”
From the first generative models to today’s algorithmic composers. How AI learned to write music, what mistakes it made, and why different models “think” differently. Final experiment — guessing who authored a fragment: a human or AI.
Berlin — “Jazz: Chords, Rhythms, Form — Recipe and History”
Jazz as music of the body and improvisation. What happens on stage, how styles differ, and why jazz is closer than it seems. A detailed breakdown of the chords, rhythms, and forms that make up this “mysterious” music.
Munich — “Background Music”
The history of background music — from Brian Eno’s ambient and melodies for aerophobic passengers to elevator compositions and on-hold tones. How the brain perceives such music and why it carries the imprint of an entire era.
Düsseldorf — “Avant-garde: What Was That?”
The rise and decline of the 20th-century musical avant-garde. Why composers turned to radical experiments and why many later abandoned these practices. A look at key figures, movements, and the relevance of the avant-garde today.
Amsterdam — “Women in Music: from Hildegard to Taylor Swift”
The history of women composers from Hildegard of Bingen to Taylor Swift. What it meant to be a woman in the musical world of different eras, how their work differed from men’s, and whether it can be called equal. A search for common threads in the biographies and destinies of women composers across centuries.
Date | 26.10.2025 |
Time | 19:00 |
Venue | Palais Wittgenstein |
Address | Bilker Str. 7, 40213 Düsseldorf |
Phone | +49 611 94 49 8000 |
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All dates and venues |
Admiralspalast
Friedrichstraße 101, 10117 Berlin
ART-CAFÉ AVIATOR
Lindower Str. 18, 13347 Berlin
ART-CAFÉ AVIATOR
Lindower Str. 18, 13347 Berlin
Russisches Haus der Wissenschaft und Kultur
Friedrichstraße 176, 10117 Berlin
Russisches Haus der Wissenschaft und Kultur
Friedrichstraße 176, 10117 Berlin
Prachtwerk
Ganghoferstraße 2, 12043 Berlin
ART-CAFÉ AVIATOR
Lindower Str. 18, 13347 Berlin
Theater im Delphi
Gustav-Adolf-Straße 2, 13086 Berlin
Kesselhaus in der Kulturbrauerei
Schönhauser Allee 36, 10435 Berlin
Theater im Delphi
Gustav-Adolf-Straße 2, 13086 Berlin
Ballhaus Prinzenallee
Prinzenallee 33, 13359 Berlin
Columbia Theater
Columbiadamm 9-11, 10965 Berlin
Theater im Delphi
Gustav-Adolf-Straße 2, 13086 Berlin
Uber Eats Music Hall
Uber Platz 2, 10243 Berlin
Blackmore's - Berlins Musikzimmer
Warmbrunner Str. 52, 14193 Berlin
Theater des Westens
Kantstraße 12, 10623 Berlin
Ernst-Reuter-Saal
Eichborndamm 213, 13437 Berlin
Fontane-Haus Kulturzentrum
Königshorster Straße 6, 13439 Berlin
Haus Leipzig
Elsterstrasse 22, 04109 Leipzig
Fontane-Haus Kulturzentrum
Königshorster Straße 6, 13439 Berlin
Urania
An der Urania 17, 10787 Berlin